thingsthatsuckass:

stitchedkurlozmakara:

I thought vocaloids were supposed to be fun

This is terrifying

I love it. i don’t find it graphically frightening so much as the concept itself.

insecurities, hatred , bitterness, sadness they are like contamination. the effects vary from person to person. some can tough it out. some people become ugly and twisted… and others don’t survive or simply don’t want to.

bullying aint no joke man.

(Fonte: princessstabbity)

viveslavida:

elastic-bands:

image

I just watched this whole thing. blew my mind. 

Too many ladies!

fannishcodex:

watermeloncholy:

writeoutoflove:

professional-widow:

kisskicker:

“And the second reason was — during the years that I spent running Walt Disney Studios — I learned about how hard it was to find a fairy tale with a good strong male protagonist. You’ve got your Sleeping Beauties, your Cinderellas and your Alices. But a fairy tale with a male protagonist is very hard to come by. But with the origin story of the Wizard of Oz, here was a fairy tale story with a natural male protagonist. Which is why I knew that this was an idea for a movie that was genuinely worth pursuing.”

—Joe Roth, producer of Oz the Great and Powerful

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAARRRRRRRRRGH

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Does he live in opposite land? Does he realise that Disney is one of the only studios that focuses on female-centric children’s stories? Does he understand why fairytales are so female-centric (especially in a society with so many stories where men often get to be the heroes…I mean even in fairytales, men often get to be heroes). There are plenty of fairytales with male protagonists as well (http://en.wikipedia.org/wiki/List_of_fairy_tales), so he’s wrong about that too. I just. What.

I love how this story was only genuinely worth pursuing because of the ~natural male protagonist~ in them, not because the Wizard of Oz stories actually have so many brilliant heroines. Funnily enough, the movie might fail because the people behind it don’t seem to understand what audience they should be aiming their dollars at. I hope they learn their lesson. 

I wish I knew how to gif. I want to use one of the “the fuck is this” ones.

Because seriously…WTF.

Harry Potter plot twist.


peter-hale:

i-choose-archery:

kaylakay19:

radstunts:

I JUST PEED MYSELF

MY DOG JUST FREAKED OUT AND I THINK I JUST DIED LAUGHING

unHOLY FUCKER OF MOTHERS

dolliecrave:

worth a read.

resistereeterno:

Marina Abramović, “Rhythm 0,” 1974


Marina Abramović is best known for her performance pieces, in which she tries to explore what is possible for an artist to do in the name of art. Her best known piece was the recent “The Artist Is Present,” in which she sat motionless for 736.5 hours over the course of three months, inviting visitors to sit opposite her and make eye contact for as long as they wanted. So many people began spontaneously crying across from her that blogs and Facebook groups were set up for those people. 

Her bravest piece, however, is my favorite. This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly. “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances. 

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.

(Fonte: skitzkain)

senorsparklefingers:

D: I CAN’T STOP. SOMEBODY STOP ME.

execute-billiards:

shada-was-in-the-area-and:

mechanicalbino:

ctrayn:

arthurdarvillismyspiritanimal:

agentsama:

sardinesawesomeness:

whimsicalsummersunflower:

Its like an evolution 0.o

OHMYGOD

In which Tim Burton has just been directing one long movie this entire time.

 but the movies have come out in the reverse order

“every story has a beginning, a middle, and an end…but not necessarily in that order”

I KNEW IT ALL ALONG

THIS IS GREAT

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swan2swan:

ariofthesea:

kingtomcat:

The Emmy-winning series ran on Cartoon Network from 1998-2005 and will soar again as a brand-new, redesigned and re-imagined CG special coming in 2013 where the trio of pint-sized super heroines will be called upon to rescue not just the city of Townsville, but the USA and the world! Featuring an original song “I Wish I Was A Powerpuff Girl” performed by Beatles legend Ringo Starr, who also portrays Townsville’s most famous flamboyant mathematician, “Fibonacci Sequins,” this all-new original special comes from a powerhouse creative team featuring animation talent from around the globe including acclaimed director Dave Smith and award-winning art director Kevin Dart and is produced by Cartoon Network Studios in association with UK’s Passion Pictures. The special also features the original voice cast reprising their iconic roles and will premiere later this year.

Source

 

ACTUALYL SCREAMNGID

“In association with UK’s Passion Pictures”

In association with UK’s Passion Pictures

In association with UK’s Passion Pictures

Translation:

“In association with the animation studio mainly responsible for the Gorillaz videos.”

HOLY. SHIT.

Release Schedule:

Debut September 2013

Hiatus October 2013-Jan 2014

Resumes with third episode February 2014

Stops before Easter

Resumes September 2014

Resumes January 2015

After a good two-year run and seven well-received episodes, it will run its course for the final three episodes and have the series finale in March 2015 (DVD will be released Christmas 2014).